It Sounded Like Herself Again: Emmylou Harris, Heaven Only Knows, and Bluebird’s 1989 rebirth
Heaven Only Knows opens Bluebird as a song of uncertainty, grace, and emotional maturity, and...
Heaven Only Knows opens Bluebird as a song of uncertainty, grace, and emotional maturity, and...
At the end of Wrecking Ball, Emmylou Harris does not chase a dramatic finale. Prayer...
On Hobo’s Meditation, the women of Trio turn an old railroad prayer into a hushed...
In Centerfield, John Fogerty turned a baseball dream into something larger: a 1985 comeback song...
Bayou Country was more than a breakthrough record for Creedence Clearwater Revival in 1969; it...
In 1990, No Bridge I Wouldn’t Cross let David Cassidy step out of the frozen...
Summer Days is one of those rare The Partridge Family recordings that smiles like television...
In 1984, Linda Ronstadt turned When I Grow Too Old to Dream into more than...
At the heart of Hasten Down the Wind, Linda Ronstadt sings loneliness without spectacle, making...
A bright, ornate single carrying a hidden strain, Tomorrow Tomorrow caught the Bee Gees in...
A song of emotional deja vu and hard-won grace, I’ve Been This Way Before found...
A song about the quiet wealth of giving your days to someone you love became...
On Prisoner in Disguise, Linda Ronstadt turned Tracks of My Tears into a softer, deeper...
In the long shadow of a famous farewell, Evangeline became something even harder to forget:...
Miss the Mississippi and You is a song about missing more than a river or...
Can’t Go Home Again catches David Cassidy in 1973 at the uneasy edge where adoration,...
Bright on the surface and shadowed underneath, Bad Moon Rising turned a 1969 radio smash...
Tumbling Dice became something sharper in Linda Ronstadt’s voice: not a copy of the Rolling...
Josh Turner did not simply revisit I Wouldn’t Be a Man in 2010. He stepped...
Someone Belonging to Someone is the sound of the Bee Gees returning to a world...
Hidden on the back of a pop phenomenon, Rest Your Love on Me let the...
A celebration of evening freedom, Thank the Lord for the Night Time turns the end...
Before it became a legendary duet, You Don’t Bring Me Flowers was a solitary confession....
Me and God mattered because Josh Turner and Ralph Stanley made faith sound intimate, inherited,...
In The Mambo Kings, Linda Ronstadt turned Perfidia into more than a soundtrack selection. She...
On the 1987 album Canciones de Mi Padre, La Cigarra became more than a song...
On Luxury Liner, Emmylou Harris turned a fast-moving Gram Parsons song into a 1977 statement...
Emmylou Harris turned Born to Run into something startlingly different on Cimarron: not a city-street...
Light of the Stable is one of those rare Christmas songs that feels humble and...
A song carried out of the mountains and sung without hurry, Bright Morning Stars lets...